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UNDICI ESPLOSIONI
Eutanasia dei fatti e allucinazioni dello spazio, il ciclo filmico della Tragedia Endogonidia sono milioni di megabytes della memoria umana compressi dentro lo sguardo di un cieco dalla nascita. Undici esplosioni, una dietro all'altra, in modo da creare il caos totale della percezione, il collasso della comunicazione. Una tragedia dove un Abramo, che appare da una suburbia della mitologia, è sordo alla misericordia di un Dio che già dà segni di un morbo di Alzheimer che cancella a poco a poco la memoria della sua onnipotenza.
Il presente lampeggia come le scintille di una presa elettrica sommersa dall'acqua.
Il corpo di Carlo Giuliani giace in mezzo a un alfabeto d'indizi. La riga rossa sul pantalone del carabiniere è la mezzeria sanguinante che divide la carreggiata che corre intorno al mondo. Non esiste più il teatro, il boccascena è la scena di una bocca che si apre come una voragine che divora dalla periferia il centro del racconto. Non è possibile sentire più niente perché nei nostri orecchi vibra all'infinito il sibilo di un missile scoppiato accanto a noi, alla nostra civiltà, vicino al rifugio costruito sotto la stazione di rifornimento della modernità.
Francesco Bonami
ELEVEN EXPLOSIONS
Euthanasia of the facts and hallucinations of space, Tragedia Endogonidia: the film cycle compresses a million megabytes of human memory into the eyes of a man who has blind since birth as, one after the other, the eleven episodes explode in such a way as to throw perception into total chaos and ensure the collapse of communication. Tragedia Endogonidia is a tragedy in which Abraham appears from a mythological suburbia, deaf to the mercy of a God who already shows signs of the onslaught of Alzheimer's disease, an illness which will gradually cancel even his ability to remember his omnipotence. The present creates sparks like an electric plug immersed in water.
The body of Carlo Giuliani lies in the midst of an alphabet of clues. The red line on the policeman's trousers is the bloody centre-line of a carriageway which circumnavigates the world. The theatre no longer exists. The proscenium has become a mouth which opens like a chasm ready to devour the centre of the story. It is not possible to hear anything as in our ears still vibrate with the whistle of the missile which exploded next to us, next to our civilization, next to the refuge we built under the refueling station of modernity.
Francesco Bonami
UNDICI ESPLOSIONI
Eutanasia dei fatti e allucinazioni dello spazio, il ciclo filmico della Tragedia Endogonidia sono milioni di megabytes della memoria umana compressi dentro lo sguardo di un cieco dalla nascita. Undici esplosioni, una dietro all'altra, in modo da creare il caos totale della percezione, il collasso della comunicazione. Una tragedia dove un Abramo, che appare da una suburbia della mitologia, è sordo alla misericordia di un Dio che già dà segni di un morbo di Alzheimer che cancella a poco a poco la memoria della sua onnipotenza.
Il presente lampeggia come le scintille di una presa elettrica sommersa dall'acqua.
Il corpo di Carlo Giuliani giace in mezzo a un alfabeto d'indizi. La riga rossa sul pantalone del carabiniere è la mezzeria sanguinante che divide la carreggiata che corre intorno al mondo. Non esiste più il teatro, il boccascena è la scena di una bocca che si apre come una voragine che divora dalla periferia il centro del racconto. Non è possibile sentire più niente perché nei nostri orecchi vibra all'infinito il sibilo di un missile scoppiato accanto a noi, alla nostra civiltà, vicino al rifugio costruito sotto la stazione di rifornimento della modernità.
Francesco Bonami
ELEVEN EXPLOSIONS
Euthanasia of the facts and hallucinations of space, Tragedia Endogonidia: the film cycle compresses a million megabytes of human memory into the eyes of a man who has blind since birth as, one after the other, the eleven episodes explode in such a way as to throw perception into total chaos and ensure the collapse of communication. Tragedia Endogonidia is a tragedy in which Abraham appears from a mythological suburbia, deaf to the mercy of a God who already shows signs of the onslaught of Alzheimer's disease, an illness which will gradually cancel even his ability to remember his omnipotence. The present creates sparks like an electric plug immersed in water.
The body of Carlo Giuliani lies in the midst of an alphabet of clues. The red line on the policeman's trousers is the bloody centre-line of a carriageway which circumnavigates the world. The theatre no longer exists. The proscenium has become a mouth which opens like a chasm ready to devour the centre of the story. It is not possible to hear anything as in our ears still vibrate with the whistle of the missile which exploded next to us, next to our civilization, next to the refuge we built under the refueling station of modernity.
Francesco Bonami
UNDICI ESPLOSIONI
Eutanasia dei fatti e allucinazioni dello spazio, il ciclo filmico della Tragedia Endogonidia sono milioni di megabytes della memoria umana compressi dentro lo sguardo di un cieco dalla nascita. Undici esplosioni, una dietro all'altra, in modo da creare il caos totale della percezione, il collasso della comunicazione. Una tragedia dove un Abramo, che appare da una suburbia della mitologia, è sordo alla misericordia di un Dio che già dà segni di un morbo di Alzheimer che cancella a poco a poco la memoria della sua onnipotenza.
Il presente lampeggia come le scintille di una presa elettrica sommersa dall'acqua.
Il corpo di Carlo Giuliani giace in mezzo a un alfabeto d'indizi. La riga rossa sul pantalone del carabiniere è la mezzeria sanguinante che divide la carreggiata che corre intorno al mondo. Non esiste più il teatro, il boccascena è la scena di una bocca che si apre come una voragine che divora dalla periferia il centro del racconto. Non è possibile sentire più niente perché nei nostri orecchi vibra all'infinito il sibilo di un missile scoppiato accanto a noi, alla nostra civiltà, vicino al rifugio costruito sotto la stazione di rifornimento della modernità.
Francesco Bonami
ELEVEN EXPLOSIONS
Euthanasia of the facts and hallucinations of space, Tragedia Endogonidia: the film cycle compresses a million megabytes of human memory into the eyes of a man who has blind since birth as, one after the other, the eleven episodes explode in such a way as to throw perception into total chaos and ensure the collapse of communication. Tragedia Endogonidia is a tragedy in which Abraham appears from a mythological suburbia, deaf to the mercy of a God who already shows signs of the onslaught of Alzheimer's disease, an illness which will gradually cancel even his ability to remember his omnipotence. The present creates sparks like an electric plug immersed in water.
The body of Carlo Giuliani lies in the midst of an alphabet of clues. The red line on the policeman's trousers is the bloody centre-line of a carriageway which circumnavigates the world. The theatre no longer exists. The proscenium has become a mouth which opens like a chasm ready to devour the centre of the story. It is not possible to hear anything as in our ears still vibrate with the whistle of the missile which exploded next to us, next to our civilization, next to the refuge we built under the refueling station of modernity.
Francesco Bonami
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
B.#03 BERLIN, video still by Carloni-Franceschetti, courtesy SRS
view of the installation / photo Paolo Semprucci
view of the installation / photo Paolo Semprucci
view of the installation / photo Paolo Semprucci
view of the installation / photo Paolo Semprucci / courtesy Gasparelli Arte Contemporanea
view of the installation / photo Paolo Semprucci / courtesy Gasparelli Arte Contemporanea
view of the installation / photo Paolo Semprucci / courtesy Gasparelli Arte Contemporanea
view of the installation / photo Paolo Semprucci / courtesy Gasparelli Arte Contemporanea
The age of lead
Chapter 3
LA LINGUA DELL'ANGELO
THE TONGUE OF THE ANGEL
Rubble, video, veal tongue, plumb line
Site-specific installation
Original sound by Paolo Marzocchi
By Elisa Mossa
Text by Alessandra Maccari
Civic Museum of Palazzo Ducale
09 November 2024 - 08 January 2025
URBANIA (PU)
Inauguration Saturday 9 November at 5.00 pm
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The age of lead
Chapter 2
SPARIAMO NELLA LUCE DELL'ALBA
WE SHOOT INTO THE LIGHT OF DAWN
Installation, video, ice screen
Original sound by Paolo Marzocchi
On Sunday 1 September from 8.30pm to 11pm the new site-specific video installation by Carloni-Franceschetti will be visible at the Corte Dario Fo and Franca Rame, at Palazzo Mazzolari Mosca, PESARO
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Sunday 04 August 2024, 09 pm
Cinema
Curated by Lorenzo Lazzari
Organised by Adriatico Book Club
Danilo Correale, Equivalent Units, 2017
Lucien Castaing-Taylor & Verena Paravel, Still Life, 2013
Sonia Levy, Creatures of the Lines, 2021
Ana Vaz, Occidente, 2014
Carloni-Franceschetti, Senza titoli, 2017
Varco Monumentale VII
Largo Città di Santos 7, TS
Free entry
Pop Adriatico, TRIESTE
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October 13. 2023 - January 13. 2024
B.#03 BERLIN from the film cycle created by Cristiano Carloni and Stefano Franceschetti on Romeo Castellucci's 'Tragedy Endogonidia' will be presented within the collective exhibition 'VERY FRIENDLY' curated by Agnes Gryczkowska
Opens on 13 October, 6-10pm
House, BERLIN
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September 15 - October 15. 2023
We are happy to take part with our book ESSO: SHADOWS OOZING GOLD published by Adriatico Book Club (Venice) at the BYOBFAIR in Amsterdam
Adriatico Book Club
Byobfair, AMSTERDAM
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Wednesday 21 June. 2023 at 4.30 pm
Pesaro Film Fest
Teatro Sperimentale, 'Sala Pasolini'
ESSO: SHADOWS OOZING GOLD
The documentary (21'30")
Ita/Cro 2022
The video shows the cycle of works by Carloni-Franceschetti inspired at the figure of Pier Paolo Pasolini, to fascism and the conditions of migrants. This project is winner of the X Edition of the Italian Council and is supported by Directorate-General for Contemporary Creativity, Italian Ministry of Culture.
The documentary is produced by 'Trieste Contemporanea' (TRIESTE) and the 'Institute for Contemporary Art' (ZAGREB)
Mostra Internazionale del Nuovo Cinema, PESARO
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February 15 - May 7. 2023
Three episodes of the film cycle created by Cristiano Carloni and Stefano Franceschetti on Romeo Castellucci's Tragedy Endogonidia (C.#01 Cesena, R.#07 Roma, L.#09 London) will be presented within the collective exhibition 'Au-delà. Rituels pour un nouveau monde' curated by Agnes Gryczkowska
Lafayette Anticipations
Fondation Galeries Lafayette, PARIS
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December 12-13. 2022 6:00 pm
Pasolini. Dialogues avec la France - International event
ESSO: SHADOWS OOZING GOLD
meeting with Carloni-Franceschetti
SPECTRAL CANTICLE (videoinstallation)
thanks to Hervé Joubert-Laurencin and Francesca Alberti
Acadèmie de France / Villa Medici, ROME
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Cartoon Club Rimini / Animation day
OMBRE GRONDANTI D'ORO
Masterclass with Carloni-Franceschetti
Saturday 5 November from 4 to 7 pm
ACLI, Rimini
Free admission, reservations required: stefano@cartooclub.it
CARTOONCLUB
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ESSO: SHADOWS OOZING GOLD
available for worldwide distribution
MOTTO BERLIN
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July 13-17. 2022 from 10pm to midnight
LA FONTANA DELLA VERGINE
Videoinstallation
Castel Sismondo, Piazza Malatesta, RIMINI
Festival Cartoon Club
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June 24. 2022
Within the VIDEONOTTE event Carloni-Franceschetti presented ESSO: SHADOWS OOZING GOLD, video works from the project dedicated to Pasolini currently on display at the Institute for Contemporary Art in Zagreb
Project supported by the Directorate-General for Contemporary Creativity by the Italian Ministry of Culture under the Italian Council program (2021)
TRIESTE CONTEMPORANEA
Studio Tommaseo, TRIESTE
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June 23. 2022 at 10am
Meeting with Carloni-Franceschetti
ESSO: SHADOWS OOZING GOLD
Centro Arti Visive Pescheria, Pesaro PU
Mostra Internazionale del Nuovo Cinema
PESARO FILM FEST
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June 19-25. 2022
Carloni-Franceschetti
MESSA A FUOCO (installation)
Chiesa di Sant'Ubaldo, Pesaro PU
Mostra Internazionale del Nuovo Cinema
PESARO FILM FEST
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June 19-July 31. 2022
The age of lead
Chapter 3
OCCHI ROVESCIATI
EYES REVERSE
Bene Dicendi Scientia (groupshow)
Gasparelli Arte Contemporanea, FANO
Open June 19 at 6pm
Villa Severini - via Roma, 67 Fano PU
@gasparelli_galleria_fano
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May 27-July 2. 2022
Carloni-Franceschetti
Esso: Shadows Oozing Gold
Curators
Giuliana Carbi Jesurun, Janka Vukmir
Assistant curator
Dubravka Šantolić Cherubini
Press office
Marina Lutmann, Elly Casagrande, Gloria Dervishi
IT consultancy
Carlo Dorio
Graphic consultancy
Giulia Lantier
Audiovisual recording
Alberto Arsie, Francesco Chiot, Paola Pisani
Photographs production
Imago Fine Art Printing Service
Catalogue
Lorenzo Lazzari
Adriatico Book Club, Venice
Texts
Carloni-Franceschetti, Hervé Joubert_Laurencin, Enrico Pitozzi, Annalisa Sacchi
Design
Lorenzo Mason Studio
Project supported by the Directorate-General for Contemporary Creativity by the Italian Ministry of Culture under the Italian Council program (2021)
Project co-funded by
Regione Autonoma Friuli Venezia Giulia
Lead partner
Trieste Contemporanea Committee President
Giuliana Carbi Jesurun
Project partner
Institute for Contemporary Art President
Janka Vukmir
Sponsor partner
Gasparelli / Arte contemporanea
Exhibition opening: May 27. 2022 8:00 pm
INSTITUTE FOR CONTEMPORARY ART, ZAGREB
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April 22. 2022
10th CEI Venice Forum for Contemporary Art Curators
Continental Breakfast 2022
Contemporary Art Pratices at Times of Crisis
Lorenzo Fusi (Italy), Beral Madra (Turkey), Marina Gržinić (Slovenia/Austria), Konstantin Akinsha (Ukraine), Janka Vukmir (Croatia), Cristiano Carloni and Stefano Franceschetti (Italy), Roberto Paci Dalò (Italy), Inese Dabola (Latvia), Ruth Noack (Germany), Emily Jacir (Palestine)
During the meeting Carloni-Franceschetti will present Esso: Shadows Oozing Gold, one of the four monographic exhibitions funded by the 10th edition of the Italian Council. The project is supported by Directorate-General for Contemporary Creativity, Italian Ministry of Culture.
Program
Friday 22 April at 11.00 am
ACADEMY OF FINE ARTS, VENICE
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March 19. 2022
ESSO: SHADOWS OOZING GOLD
Meeting with Carloni-Franceschetti
Introduce
Giuliana Carbi, Trieste Contemporanea
Lorenzo Lazzari, University of Udine
Janka Vukmir, Institute for Contemporary Art, Zagreb
Esso: Shadows Oozing Gold is one of the four monographic exhibitions funded by the 10th edition of the Italian Council. In this meeting the authors will present the project and discuss the genesis of the exhibited works.
Event organized as part of the MOVIES - Moving Images Arts master directed by Malvina Borgherini, Iuav University of Venice.
Saturday 19 March at 10.00 am
IUAV VENICE
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November 13-14. 2021
NASCONDERE
Triennale, Milan
Carloni and Franceschetti participate with their work at the training project of the Milan Triennale and Romeo Castellucci, Grand Invité for the four-year period 2021-2024. Event in collaboration with the General Direction for Contemporary Creativity of the Ministry of Culture.
Triennale MILAN
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October 29. 2021
Italian Council
The jury chaired by Fabio De Chirico and composed of Bartomeu Marí Ribas, Andrea Lissoni, Claudio Varagnoli and Angela Vettese selected four winning projects of the tenth edition:
1. Philadelphia Museum of Art (USA), for the exhibition River of Forms. Giuseppe Penone’s Drawings, curated by Carlos Basualdo with Lara Demori
2. Kunsthalle Lissabon with Escola Das Artes - Universidad Catòlica Portuguesa (Portugal), for the Francesco Vezzoli exhibition Antico non antico (working title), edited by Alberta Romano
3. MMSU - Museum of Modern and Contemporary Art Rijeka (Croatia), for the exhibition We Want Mirrors: A Journey into the Matrix of Coloniality by Raffaella Crispino, curated by Branka Bencic and Matteo Lucchetti
4. Trieste Contemporanea with ICA Zagreb (Croatia), for the exhibition Esso. Shadows Oozing Gold by Carloni and Franceschetti
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July 15-22. 2021
Onda bruna
Installation
Ex Museo Baracca
Lugo (RA)
Lugocontemporanea
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June 8-11. 2021 at 6 pm
Socìetas Raffaello Sanzio
Tragedia Endogonidia Film Cycle
Video: Cristiano Carloni, Stefano Franceschetti
Original sound and music: Scott Gibbons
Teatro delle Muse, ANCONA
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June 7. 2021 at 6 pm
Socìetas Raffaello Sanzio
Genesi. From the Museum of Sleep (video, 60')
Film and animation: Cristiano Carloni, Stefano Franceschetti
Original sound and music: Scott Gibbons
Teatro delle Muse, ANCONA
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May 19. 2021 at 3 pm
Meeting with Carloni-Franceschetti
Liceo Artistico Mengaroni, PESARO
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February 4. 2021
Meeting with Cristiano Carloni, Stefano Franceschetti and Luca Del Pia
by Annalisa Sacchi and Enrico Pitozzi
Romaeuropa Festival
Streaming at 7.00 pm on Youtube channels
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January 24 - February 3. 2021
Socìetas
Tragedia Endogonidia Film Cycle by Romeo Castellucci
Video memory: Cristiano Carloni and Stefano Franceschetti
Original sound: Scott Gibbons in collaboration with Chiara Guidi
Romaeuropa Festival
Everyday at 8.00 pm on romaeuropa.net/streaming
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January 2021
Urbino memoriale and P.P.P. are acquired by Ragghianti Foundation, LUCCA
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November 29. 2020 - January 6. 2021
Corona dell'Avvento
LA NOVENA DELL'IMMACOLATA: L'ARTE MAGICA
Group Show
Gasparelli Arte Contemporanea, FANO
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August 22-29. 2020
P.P.P.
Opening theme PFF
Mostra Internazionale del Nuovo Cinema, PESARO
www.pesarofilmfest.it
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June 2020
Noi siamo le persone
Visiting professors in IUAV, VENICE
MOVIES Moving Images Arts
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